Philip Roth, en su obra marcada por una remarcable creatividad y un humor deslumbrante, nos presenta héroes dominados por sus dificultades psicopatológicas que entraban de manera singular su vida amorosa. Su deseo esta generalmente marcado por la errancia
Archives par mot-clé : CONDAMIN CHRISTINE
CONDAMIN CHRISTINE: FRUSTRACIONES PRECOCES, VIOLENCIA PULSIONAL Y PASAJE AL ACTO CRIMINAL EN LA PRIMA K DE YASMINA KHADRA
El narrador de la narración autobiográfica prima K es un joven hombre escritor que retraza el desarrollo de su vida hasta que el se trasforma en el asesino de una joven que hace auto-stop y que solicita su ayuda. Nosotros interrogaremos sobre el impacto de varios traumatismos cumulados en la infancia y la adolescencia (abandon maternal precoz, confrontación directa a la muerte de su padre, contacto con la perversión) todo ello precede la emergencia de una pulsión de crueldad. Nosotros hacemos la hipótesis que el recurso al acto criminal es una búsqueda de triunfo sobre el objeto y la omnipotencia frente a la amenaza de liquidación.
CONDAMIN CHRISTINE : FIGURAS DE ADOLESCENTES MARTIRES Y FATALES EN MISHIMA YUKIO TRABAJAN LITERARIO
El autor propone la puesta en correspondencia las numerosas figuras adolescentes mártires y criminales de la obra del escritor Mishima con su vida, trayendo una reflexión sobre el masoquismo y el sadismo comprendido como el después golpe de experiencias traumáticas y relaciones patógenas precoces. Mientras Mishima consiguió sublimar realizando una obra literaria, el masoquismo pudo utilizarse como« encargado de vida » en una tentativa de rebasamiento del trauma y en el después golpe, portador de un mensaje que pretendía elaborarse, sin embargo el escritor parece haber sido desbordado a continuación por el potencial de destrucción de los impulsos de muerte désintriquées, llevado por un masoquismo mortífero hasta hacer trabaja de desaparición, sin haber podido vendar las heridas narcisistas primordiales, ni la falta de objeto primaria.
CONDAMIN CHRISTINE : THE METAMORPHOSIS OF MAN INTO BREAST AND THE FANTASY OF UNLIMITED ENJOYMENT IN PHILIP ROTH’S THE BREAST
»Philip Roth, in works of tremendous creativity and dazzling humour, presents heroes in the grip of psychopathological problems that hamper their love lives in a singular way : their desire is often marked by straying, inconstancy and even inconsistency, and their sexuality by an insatiable need for sensual contact. The metaphorical tale The breast (1972), which belongs to the tradition of metamorphosis, leads one to reflect, through the transformation of David Kapesh into a breast, upon the fantasy (or perversion), taboo but frequent, of experiencing unlimited and constantly renewed sexual enjoyment. In The dying Animal (2004), the same hero manages, after a profound psychical reorganisation, to abandon his cherished unconditional freedom and his constant search for erotic pleasure ; he achieves a real love relationship where the Other can really be loved, both sexually and affectively.»
CONDAMIN CHRISTINE : EARLY FRUSTRATIONS, INSTINCTUAL VIOLENCE, ACTING OUT AND MURDER IN YASMINA KHADRA’S COUSIN K
The narrator of the autobiographical story Cousin K is a young male writer who retraces the course of his life before becoming the murderer of a hitch-hiker who asked him for assistance. We will consider the impact on the hero of several accumulated traumatisms in childhood and adolescence (early maternal rejection, direct confrontation with his father’s death, perverse influence) and their possible role in the emergence of a cruelty drive. We will advance the hypothesis that the recourse to a criminal act is a search for triumph over the object and for omnipotence in the face of a threat of annihilation.
CONDAMIN CHRISTINE : ADOLESCENT MARTYRS AND MURDERERS IN THE LITERATURE OF MISHIMA YUKIO
The author relates the many adolescent martyrs and murderers in the work of the writer Mishima to his own life, leading to reflections on masochism and sadism as after-effects of early traumatic experiences. As long as Mishima managed to successfully sublimate through the accomplishment of a literary work, his masochism could be used as a « guardian of life » in an attempt to overcome trauma – afterwards (« après-coup ») – and unfold a hidden message. However, the writer seems to have been subsequently overwhelmed by the destructive potential of detached death impulses and carried away to his death by a mortified masochism without repairing his primordial narcissistic injuries and without curing the primary object deprivation.