Frederico Garcia Lorca’s drama « The Bernarda Alba’s home » unveils the life of five girls plunged by their mother into an eight years mourning. Adela, the youngest daughter will begin a violent fight against her mother which will seal her femininity’s fate. The central question has to do with the vagaries of the bipartition of the subjectivation between continuity and change.

Adolescence, 2011, T. 29 n° 3, pp. 665-671.