Archives par mot-clé : Feminine

Brice Courty : Adolescence as a Horror Movie

The study of a particular category of horror movie, the slasher, draws us onto the stage of the adolescent experience, both in terms of its content and its form. The skeleton of the uncanny and its syncopated temporality offers one a glimpse of a common unconscious issue. The adolescent finds a solution for how to represent and elaborate the central issue of the feminine in the identifiable figures of killer and victim. The slasher movie as a vehicle for a degraded initiation rite is a resource for the adolescent facing the upheavals of puberty.

Anne Juranville : Veil, Womanhood, and the Unconscious

The issue of the veil is approached by way of some its structural elements, which cause its “ logic ” to meet up with that of unconscious desire referred to the feminine : the set-up of the drives, the construction of the corporal imaginary that calls upon the concepts of Chose, and of the Lacanian object a. We will speak of how the metaphors of the veil open out onto philosophical and aesthetic fields investigated by way the problematic of castration. Through these psychoanalytical references, it is possible to shed some light on the alienating social consequences of the wearing of the veil by women.

Monique Schneider : Return to the Father and Denial of the Feminine

The biblical text of the “ Prodigal Son ”, dealing with the father-son relation, allows us to situate this relation within several different mythical fields, among them the field of psychoanalysis. Like Christianity and Indo-European culture, the theme of Don Juan in the XVIIth century will produce a rupture and introduce something new into the order of transmission. The “ nuptial home ” emerges with the return of the feminine, in the figure of Abraham, who is both masculine and feminine.

Olivier Ouvry : the enigma of the feminine for the woman

Through clinical examples, the author approaches the issue of the Feminine in women. The question of “ what is “the” woman ? ”, a classic with men, turns out to be shared by member both sexes, especially by women who are find themselves in a masculine subjective sexual position.
A parallel between the four positions defined by the crossing of the two sexual subjective positions with the two anatomical sexes, and the four discourses defined by J. Lacan is attempted at the end of the article to show how nothing can be said about the position of the woman.

Jean-Michel Hirt : love-wounds

Exploring love means facing up to the wounds it inflicts ; it means taking into consideration its cruelty as well as its tenderness and sensuality. Its possible consequence, sexual pleasure, will be looked here from the perspective of psychical reality, and the expression the this reality confers upon it in the Christian religion

Adolescence, 2013, T. 31, n°4, pp. 873-884.